HARDWORK RECORDS

SWANS to play Tulsa, Feb. 20th at The Marquee

Hard Work and King Productions proudly present, the legendary-  SWANS live  at The Marquee in Tulsa, OK. w/ Wooden Wand.

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SWANS 2011

After years of pursuing Angels of Light and recording and producing a diverse roster of artists for his Young God label, Michael Gira has decided to reconvene his legendary group Swans. As he says: “THIS IS NOT A REUNION. It’s not some dumb-ass nostalgia act. It is not repeating the past. After 5 Angels Of Light albums, I needed a way to move FORWARD, in a new direction, and it just so happens that revivifying the idea of Swans is allowing me to do that. “ Here’s what Gira says about the moment he decided to reconvene Swans: “There was a point a few years ago during a particular show when I was on tour with Angels of Light, with Akron/Family serving as the backing band. It was during the song The Provider. Seth’s guitar was sustaining one open chord (very loudly), rising to a peak, then crashing down again in a rhythm that could have been the equivalent of a deep and soulful act of copulation. The whole band swayed with this arc. Really was like riding waves of sound. I thought right then, “You know, Michael, Swans wasn’t so bad after all…” – ha ha! It brought back – in a flood – memories, or maybe not memories, more a tangible re-emersion in the sensation of Swans music rushing through my body in waves, lifting me up towards what, I can only assume, will be my only experience of heaven. It’s difficult – and probably pointless – to try to describe this experience. It’s ecstatic, I suppose – a force of simultaneous self negation and rebirth. Really, I probably only experienced this a handful of times to such an extreme extent during the entire 15 year history of Swans. All the elements have to align perfectly, and you can’t force it, though you might constantly strive for it. I don’t mean to be too lofty here, but it’s a fact. I’m talking about my own experience of the music (though I’d hope people in the audiences along the way might have experienced a similar episode). When I ask myself if I believe in God, I start to say NO, but then I remember that sensation, and I’m not so sure. So I want more of that, before my body breaks down to such an extent that it won’t be possible any more. So I’m doing it. “ The core group constituting Swans for this phase is Michael Gira / guitar / voice / mendicant friar act (original swans); Norman Westberg – guitar (original swans); Christoph Hahn – guitar (mid period swans and most angels); Phil Puleo – drums, percussion, dulcimer etc (final swans tour and most angels); Chris Pravdica – bass and gadgets (flux information sciences / services/ gunga din); Thor Harris – drums, percussion, vibes, dulcimer, curios, keys (angels, now also with Shearwater)… This highly anticipated album is as powerful and diverse as anything Gira’s done, in Swans or otherwise. It opens with the epic, soul-crushing (bone crushing?) No Words/No Thoughts, but quickly veers to more pastoral terrain, then on to ever-ascending mono-tonal grooves, a filmic-folk idyll featuring Devendra Banhart on lead vocal that abruptly shifts to cataclysm, then on to more airplane-taking-off ascensions, art songs, and more lethal sonic pummeling. In short, this is the new SWANS album, a significant advance from where Swans left off and as challenging and emotionally demanding as ever. Increasing frustrated by the (self imposed) constraints he’d set for himself in Angels of Light, Gira decided that the direction he wanted his music to take would be more appropriate under the moniker of the group he started in 1982 and retired in 1997. Though the new album retains an attention to detail in orchestration, and an underlying sense of melody on many of the songs, there’s a deliberate shift towards sonic intensity, relentless, maniacal rhythms and alternately abrasive and soaring waves of electric guitar, qualities those familiar with the always-shifting sonic approach of Swans over the (now first) 15 years of its’ existence will recognize. This record immediately feels like Swans but is also obviously unique and moving into new territory.

IgniteTulsa #3

IgniteTulsa! #3 was was great! Hard Work Records was glad to be involved.

IgniteTulsa!

IgniteTulsa!

Aqueduct / Unwed Sailor headline Hard Work Stage at FreeTulsa! 7/30 and 7/31.

Aqueduct and Unwed Sailor to headline Hard Work Records main stage at FREETULSA! Music Festival.

hdwk

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Interview with Hard Work Records’ Jeff Richardson at TulsaProject.com

Read it here: http://tulsaproject.com/issues/04/article/interview/

Jeff Richardson of Hard Work Records

Unwed Sailor @ The Marquee – Friday- April 2nd

Unwed Sailor,Native Lights,And there stand empires,Jeff Richardson,Hard Work Records
W/Native Lights, And There Stand Empires
9pm. $8 Door.

NATIVE LIGHTS – Blackwater 7″

Purchase at Insound.com
Native Lights
Purchase at Insound.com

Unwed Sailor / Native Lights / Jaret Ferratusco / Jeff Richardson

Tulsa, OK – 11/28/09

The Eclipse 9pm

The Fall U.S. Tour kickoff for Unwed Sailor and Native Lights. Author/Photographer, Jaret Ferratusco will be opening- reading from his new book:  “I Grew up in Amaltherey Hill”.  Jeff Richardson will be playing a DJ set at the Tulsa show. Native Lights’ debut 7″, Blackwater, will be available for purchase. More details to follow soon.
Unwed Sailor,Native Lights,Jaret Ferratusco,Jeff Richardson

Unwed Sailor / Native Lights / Jaret Ferratusco / Jeff Richardson

Ghosts, Native Lights, Callupsie – Oct 24th at Eclipse

Native Lights

Jeff Richardson playing DJ set at Crystal Pistol in Tulsa- TONIGHT!!!

Jeff Richardson,Stevedore,Robbo,Lynn k,Mixtape,Crystal pistol

Oklahoma Rock DFest 2009 Recap, Day 1

Oklahoma Rock did a great DFest recap. Check out day 1, HERE.

Callupsie at The Electric Circus Stage, DFest 2009

Callupsie at The Electric Circus Stage, DFest 2009